(Korean Movies) The Housemaid, 2010

The most talked-about film of 2010 the world has been waiting for
Pay attention to the birth of a new <maid>
Chosen by Jeon Do-yeon, who won the Best Actress Award at the Cannes Film Festival, and Im Sang-soo, who swept the world's leading film festivals such as Berlin and Venice, grabbed the megaphone. <maid>. The remake of the late 1960 film 'The Maid' by the late director Kim Ki-young drew extraordinary interest from filmmakers from the planning stage. In addition, in 2007, with the support of the world-famous master Martin Scorsese, the original 'The Maid', which was digitally restored by the Korean Film Archive, was released at the 2008 Cannes Film Festival and received praise. . As the 1960's 'The Maid' not only featured the top stars of the time, but also recorded an exceptional box office success with daring stories and eroticism, and is a masterpiece called a textbook of the thriller genre. raises great expectations. <The Maid>, which brings together the best directors and actors, will finally be unveiled on May 13, 2010, and will fascinate movie fans.

A movie that would be impossible without Jeon Do-yeon
Expect the extraordinary challenge of the best actress 'Do-yeon Jeon'
Jeon Do-yeon, the best actress of this era, recognized not only in Korea but also in the world, has returned. Jeon Do-yeon, who has a natural acting ability to truly understand and digest any character, took on another challenge with <The Maid> without being complacent in the queen's position. The transformation into 'Eun-i', a maid who is too pure to hide even her instincts and desires, was a difficult task for Jeon Do-yeon herself, who presents the climax of her acting skills in every work. Jeon Do-yeon, who said, "I lived as a maid, as a woman, as a mother, and as a human in one character," said, "At some point, I found myself who has already become 'Eun-i'." did. As an actress recognized by both critics and audiences, Jeon Do-yeon's own beliefs and convictions make it impossible not to pay attention to her transformation in <The Maid>. 1st place in 'The Most Expected Actor of 2010' selected by reporters, and director Im Sang-soo's comment that "there is no actor who gives me joy as much as Jeon Do-yeon" also doubles the curiosity about Jeon Do-yeon's splendid comeback.

A bold leap Jung-jae Lee, a dense transformation Yeo-jeong Yoon, a new discovery Seo-woo
Discover the most intense desires created by the best actors
One of the biggest reasons why <The Maid> is the most anticipated film of 2010 is the casting of the best actors in Korea. Jeon Do-yeon, who plays the main character 'Eun-i', as well as Jung-jae Lee, who is being reborn as a true actor with her own style from a young star. Yoon Yeo-jeong, who is breaking the limits of a middle-aged actress and opening a unique acting horizon with her energy and sensibility that seems to have forgotten her age. Even Seo-woo, who has gained trust with his wide-ranging acting that crosses the image of a girl and a woman. The acting ensemble and synergy that Jeon Do-yeon, Lee Jung-jae, Yoon Yeo-jeong, and Seo-woo, who have extraordinary passion and skills, will unleash in <The Maid> already foreshadow the birth of the hottest movie of 2010.

Director Im Sang-su, a world-recognized issue maker
Experience the ultimate erotic suspense
Director Im Sang-soo, who captivated the world with his bold storytelling from his debut film <Dinner of the Virgins> to <Tears>, <The Cheating Family> and <Then Those People>. As Korea's leading issue maker, he plans to present a more dense and stylish erotic suspense than the original through a meticulous mise-en-scène in <The Maid>. The three-dimensional character that has never been seen in any movie before and the story that leads to catastrophe without predicting the future will confirm the apex of tension that suspense movies can give and let you see the true face of director Im Sang-soo. Here, the subtle desires inside the human being digged into with a detailed gaze convey eroticism and complete an interesting drama, and he will not disappoint the expectations of the audience who have been eagerly waiting for his next work.

[Director's side]

Swing's occupation is a housekeeper.
Like all of us (!), she is (!) a maid,
Swing stays true to his maid service all day, he's quite professional.
However, swing without a twisted heart is always smiling and innocent like an idiot.
Swing listens to the deepest desires of her heart and honestly pursues those small desires.
Swings are maids, but not maids, yes.

twisted woman.
Her fellow old maid is a woman who is tainted with maiden spirit to the very core,
Fortunately, Swing is now quitting the maid. Congrats!

Rich women who treat these two women as maids.
They never even dreamed that they were maids.
Without knowing it, they pass on their maiden spirit to their daughters and granddaughters.
It's sad and terrible.

Our protagonist, who only looks like an idiot,
What was it that the swing couldn't stand in the end?

that
We give and receive each other every day,
I struggle with pain and try to forget,
I can't forget and live roughly crushed,
Calluses stuck to our soft erogenous zones
same thing.

[ Hitchcock's Suspense ]
… … Let me tell you what suspense is. Four people enter the room to play poker. Suddenly, a bomb explodes, leaving all four people to their bones. In this case, the audience is simply amazed. But before the four of them go in to play, I show you a man placing a bomb under the poker table. The four of you are sitting in a chair and playing poker, and the second hand of the time bomb runs out of time. In a situation like this, even the same meaningless conversation can grab the audience's attention. The audience said, 'Now is not the time to talk about trivial things. It makes me want to shout, 'The bomb is going to explode in a little while.' Just before the bomb goes off, after the game is over, I'm about to get up, and one of them says: 'Have a cup of tea.' At this very moment, the audience's impatience is on the verge of an explosion. The emotion I feel at this time is 'suspense'.